Press Reviews

'Peter Rice’s sets deftly scatter banal modern detritus among classical Roman architecture with imposing depth and presence, even if some of the painted faux-marble was a little Jackson Pollock-esque… The audience spontaneously applauded each act’s change of scenery…'

Boston Globe, 2011

'Poulton... presents Scarpia’s calculating, sexually intimidating and remorseless nature to chilling effect'

The Stage, 2010

'A landmark staging in every sense'

****The Guardian