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  • The Elixir of Love on-page menu

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For Secondary School Pupils

The Elixir of Love

Free teaching resources

Welcome to Scottish Opera’s first project for pupils in the third year of secondary education

Focusing on the expressive arts curriculum including Art & Design, Drama and Music, these lessons are based around the 19th century Italian composer Gaetano Donizetti’s comic opera The Elixir of Love (L’elisir d’amore). Each unit allows flexibility – educators can utilise the full packs or select key aspects, and there is no set period for completion. 

The project is designed to tie in directly to the experiences and outcomes of A Curriculum for Excellence, giving pupils a greater understanding of the arts and creative industries, and helping young people identify their talents and aspirations for the future.

Commissioned by us from members of the Expressive Arts Faculty at Largs Academy, North Ayrshire, the intention is to engage pupils’ critical thinking skills, which are transferrable across disciplines, through opera. 

To access the free resources, please confirm:
Read more about Art & Design
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Art & Design

Learn all about designing costumes, props, and sets for an opera and the many people who make these productions possible.

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Read more about Drama
Elixir of Love4_Drama_Signpost424x269px (1).jpg

Drama

Explore how characters, props, and sets work together convey a director’s ideas across three versions of The Elixir of Love.

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Read more about Music
Elixir of Love4_Music_Signpost424x269px (1).jpg

Music

Learn how to analyse a musical score, compose a song, and perform along to key moments from The Elixir of Love. 

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Opera Making for Third Year Pupils

Critical Thinking

Every learning experience (practical or theoretical) can be enhanced by analytical thought processes. These help us navigate school, career, and daily life. They can resolve issues and challenges, identify logical gaps in reasoning, and enable greater understanding of another’s viewpoints.

Above all, critical thinking encourages a young person to question, to discuss with others, and to make informed and perceptive decisions. At a stage in their secondary education when young people are making decisions about the subjects that they will study at exam level – choices that will have a significant influence on the next phases of their lives – this project helps them explore and develop decision making and critical thinking.

While it may seem conflicting to align the ‘freeform’ artistic process of producing opera or theatre with the ‘rational’ discipline of critical analysis, a key driver of a show’s creative concept is choices that must connect the show’s many parts. These result in a through line that gives the piece authenticity from the audience’s perspective.

Project Resources

Opera is about making and telling stories. Our aim is to present the story to audiences in the most engaging, exciting, entertaining, relevant, inspirational, and thought-provoking way. We would like to share some the ways in which we bring together the pieces that make up this complex and fascinating art form that encompasses music, drama, visual art, and movement.

We have created a series of short films around The Elixir of Love, showing the same scenes many ways from different perspectives and creative concepts. This is a story about a poor, shy boy and a rich, confident girl. He loves her; she barely notices he is alive – or at least pretends she does. Add a dodgy travelling salesman and a swaggering sergeant, and we have recipe for love and laughter in equal amounts.

The resources are divided into two sections: Learning and Research, and Classroom Tasks.

Learning and Research

Opera Scenes

We have chosen six key scenes from The Elixir of Love that form a narrative from start to finish. We then filmed three different dramatic concepts of these same scenes, making 18 performance scenes to analyse (only 15 are used in the music unit). Pupils can contrast and compare the different approaches and discuss how effective they are in telling the story, explaining their reasoning.

Creative team interviews

We meet the director, set and costume designers, musical director (conductor), and singers. These interviews will assist pupils in getting to grips with opera making and the choices that go into each production and interpretation.

Classroom Tasks

The authors have created activities and tasks in three subject areas. Each topic has five stages that you can tailor to your own pupils.

  • There is no set period for completion; it is entirely at the teacher’s discretion as to how long they wish their class to focus on a particular stage.
  • Each stage involves a variety of different skills.
  • Each stage showcases behind-the-scenes inserts to inspire students and explore different opportunities within the classroom.
  • The resources contain everything a teacher needs to provide an in-depth learning experience, making the world of opera accessible to young people.
  • Teachers have access to guide notes for each stage, presentation slides, worksheets, and full classroom arrangements with demo tracks.
  • Differentiated materials provided to ensure all pupils are effectively supported.
  • Each unit allows flexibility – educators can utilise the full packs or select key aspects.
  • The activities include individual and collaborative designing, full class discussions, and group exhibitions to enhance confidence and creativity.

Art & Design

  • Three units focusing on Costume Design, Prop Design, and Set Design.
  • The subject area provides opportunities to collaborate with Drama, to give more scope for students and teachers interested in cross curricular links.

Drama

  • One unit focusing on Character, with the ability to add Prop Design and Set Design from Art & Design.
  • The subject area provides opportunities to collaborate with Art & Design, to give more scope for students and teachers interested in cross-curricular links.

Music

  • Three units focusing on Composing, Musical Analysis, and Performance.
  • The subject area develops students’ musical literacy and state opinions on musical interpretations, giving them the chance to think flexibly and critically.

Creative Team


Head of Music
Derek Clark

Director
Roxana Haines

Designer
Finlay McLay

Film Maker & Editor
Bevis Evans-Teush

Sound Recordist
Matt Harvey

Assistant Director 
Flora Emily Thomson

Costume Supervisor
Stella Tani

Technician
Rebecca Coull

Company Stage Manager 
Rose Ann Gross

Repetiteur
Beth Jerem

Cast


Adina
Catriona Hewitson

Nemorino
Shengzhi Ren

Belcore
Arthur Bruce

Dulcamara
Frank Church

 

Teaching Resources created by:
Donna Lloyd, Kayla McGregor, Ailie Austin, Dawn McCarron and Jared Hutsby

With kind thanks to:
North Ayrshire Council, Craig Smith, Stephen Roe, and to John Macfarlane for his kind permission to use designs from The Rake’s Progress (2012) as part of these resources.

Contact

Questions about our digital resources? 
Please contact our Producer Madeleine Coxshott using the contact form below:

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