Sitemap

The structure and pages of the Scottish Opera website.

• Home
  • What’s on
    • Opera on screen
    • Whats on
    • Priority booking FAQs
    • Season 2022-23 brochure
  • About Us
    • About Scottish Opera
    • The Orchestra of Scottish Opera
      • List of Players
    • Emerging Artists
    • The Board of Scottish Opera
    • Staff
      • Sir Alexander Gibson
      • A Q&A with Sioned Gwen Davies
    • Annual Reports
    • Team Pagliacci
    • Pagliacci biogs
  • Support Us
    • Memberships
      • Friends
      • The Alexander Gibson Circle
      • Education Angels
      • Emerging Artist Benefactors
      • New Commissions Circle
      • Gifts in Wills
      • Gifts in Memory
    • Corporates
    • Trusts & Foundations
    • Supporter Events
    • Dame Janet Baker Circle Contact Form
  • Join in
    • Candide Community Chorus
    • Community Choir
    • Scottish Opera Young Company
    • Memory Spinners
    • Memory Spinners Resources
    • Opera for Schools
      • The Brassketeers
        • Module 1: Musical Math-e-magic
        • Module 2: Investigating Instruments
      • Tiny Chef
      • The Last Aliens
        • The Last Aliens - part 1
        • The Last Aliens - Part 2
        • The Last Aliens - part 3
        • Guidelines for teachers
      • Fever Online
    • Fox-tot online
    • Sweet Sounds in Wild Places
  • Discover Opera
    • FAQs
    • Under 26 Tickets
    • A to Z of Opera
    • History of Opera
    • The Narcissistic Fish Programme
    • The Telephone programme
    • La boheme programme
    • Diary of One Who Disappeared programme
    • Opera Highlights programme
    • Così fan tutte programme
    • Hansel & Gretel programme
    • L'elisir d'amore programme
    • Falstaff programme
    • Tsar programme
    • Spotlight On...
      • Spotlight on... The Gondoliers
      • Spotlight on... Candide
      • Spotlight on... Tosca
      • Spotlight on... Dido and Aeneas
      • Spotlight on... Anthropocene
    • Poeme de l'amour et de la mer
  • Access
    • Audio Description
    • Access Opera
    • Venue Information
      • Eden Court, Inverness
      • His Majesty’s Theatre, Aberdeen
      • Festival Theatre Edinburgh
      • Theatre Royal Glasgow
  • News
  • Contact Us
  • Vacancies
    • Actor Auditions – Candide
    • Brass Extra Work Auditions
    • Costume Trainee
    • Section Principal 2nd Violin
    • Human Resources Administrator
    • Assistant Stage Manager
  • Press
  • For Hire
    • Hire the Orchestra
    • Costumes for Hire
    • Commission Our Workshops
    • Hire Instruments and Equipment
    • Productions for Hire
      • Ariadne auf Naxos
      • BambinO
      • The Barber of Seville
      • La bohème
      • Carmen
      • The Cunning Little Vixen
      • Don Giovanni
      • Don Pasquale
      • Eugene Onegin
      • Flight
      • Hansel and Gretel
      • Jenůfa
      • Lucia di Lammermoor
      • Madama Butterfly
      • The Magic Flute
      • The Marriage of Figaro
      • The Mikado
      • Orfeo ed Euridice
      • Orlando
      • Pelléas and Mélisande
      • The Pirates of Penzance
      • The Rake’s Progress
      • Rigoletto
      • Der Rosenkavalier
      • Tosca
      • La traviata
      • Il trovatore
    • Hire from the Scottish Opera Music Library
  • Search
  • Sign up
  • Terms & Conditions
    • Ticket Booking
  • Accessibility
  • Privacy Statement
  • Contact Us Dept
  • Rachel Davis - Viola
  • Alan Warhurst - Principal Contrabassoon and Sub-Principal Bassoon
  • Ewan Robertson - 2nd Flute / Piccolo
  • Live at No.40 - What to expect
  • Pop-up Opera - What to expect
  • Falstaff 2021
  • Spektrix
    • Book
    • Checkout
    • My Account
    • Login
    • Gift Voucher
  • Opera Highlights - what to expect
  • The Gondoliers - What to expect
  • Mister MacNeep - What to expect
  • Covid-19 Guidance